Saturday, April 25, 2009
Film Noir
Wednesday, December 31, 2008
Films of the 40's
"We've got to fight. And some of us have got to die. I'm not trying to tell you not to be afraid. Fear is normal. But stop worrying about it and about yourselves. Stop making plans. Forget about going home. Consider yourselves already dead. Once you accept that idea, it won't be so tough." Can you imagine a general saying this in modern times? It’d be all over the newspapers and internet within hours. Well worth watching with an ending that makes you want to pour a drink afterwards. | |
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Citizen Kane (1941): I’m not going to be original by saying that this is special. Every “greatest movies of all time” list has it listed as #1. People feel like they have to watch this movie. Don’t let that stop you. It’s not pretentious. As soon as the movie starts, you know it’s compelling. They do the pre-television “Newsreel” story of Charles Foster Kane’s life. He has died, he was the wealthiest man in the world. A reporter is assigned to find out the true story. Kane was a press baron, modeled after William Randolph Hearst. He was so rich that the people in his life were mere toys to be played with. The film follows his life from childhood to his bitter old years. It’s a great way to spend two hours during the holidays. | |
Casablanca (1942): Once again, I’m not breaking ground by recommending this. Ingrid Bergman’s Ilsa Lund emotionally cons Humphrey Bogart’s Rick Blaine into giving her and her husband coveted plane tickets out of Vichy French (hence Nazi overview) controlled Casablanca in Morocco. It is not a sappy romance film. Ilsa and Rick had had an affair the year before, which he has never gotten over. My favorite scene is when after hours, Rick is alone getting drunk at his club, and feeling sorry for himself when Ilsa walks in to make her case. He can’t match her beauty and sophistication. She gets what she wants and has him feeling good about helping her out in the end. | |
Double Indemnity (1944): Film Noir got started with this Billy Wilder classic. Fred MacMurray (My Three Son’s dad) is an insurance salesman who meets a seductive dame (Barbara Stanwyck) who wants to kill her husband and do a life insurance scam. As with this genre, we see a normally law abiding person get tangled up in a scam for adventurous and greedy purposes that ends with tragic results. There’s no easy money, or carefree life in the 40’s. |

